GLOW Australia printmaking December 3rd 2015 – 16th January 2016 The Framing Salon 10 Dartmouth Rd, Forest Hill, London, SE23 3XU In this exhibition at The Framing Salon, London, 47 Australian artists working from two printmaking studios at opposite ends of Australia have a produced a diverse collection prints in various techniques. These works make their UK … Continue reading
Over the past year I have been working with Stag & Bow and The Framing Salon, two unique businesses in South East London that are all about reviving craft based skills from a grass roots level. Pascale Spall and Cyrus Colquitt founded Stag & Bow nearly five years ago at 8 Dartmouth Rd in Forest … Continue reading
An essay that explores the printmaking practice of Melbourne based artist Robert Hague, coinciding with his exhibition ‘Erasure’ at The Art Vault, Mildura, Australia. 15th July – 2nd August, 2015 In Robert Hague’s lithographic prints, individual objects are isolated for close study as the artist draws out the meaning behind their form and function. Rendering his images with … Continue reading
COLIN PALETHORPE Juxtaposed 5th – 22nd August. Firestation Print Studio, Melbourne AUSTRALIA In Juxtaposed, Melbourne based artist Colin Palethorpe considers the Australian landscape as a hybrid space, using the stark nature of collage to evoke an almost alien collision of European ‘settler’ culture on Australian soil. Idyllic pastoral scenes are sensitively rendered on paper, only to … Continue reading
John Sheehan The Unknown Way February 28 – March 21, 2015 John Sheehan is a mid-career Australian artist whose watercolours and mixed media works on paper express his own particular vision of landscape and memory. This exhibition features works inspired by the artist’s travels within Australia, New Zealand and Thailand. Using rich colour and loose, … Continue reading
Imprints of Place Limited edition prints from Australia and Ireland Current until 11th January, 2015 The Framing Salon 10 Dartmouth Rd, Forest Hill, London SE23 3XU @theframingsalon This diverse exhibition features over 100 limited edition prints, skillfully hand-crafted by artists working from three separate print studios in Australia and Ireland. Artists from Firestation Print Studio, Melbourne; PressNorth … Continue reading
Published in Art Monthly Australia, September 2014, Number 273. pp. 24-29 For over 20 years the Melbourne-based artist John Aslanidis has defined a space between sound and vision, through seeking to create ‘paintings you can hear and sound you can see’.[1] His paintings take the form of numerous interlocking and exponentially expanding concentric circles that … Continue reading
Catalogue essay for Dagmar Cyrulla’s exhibition Reflection, 25 October – 19 November, 2014 Wagner Art Gallery, 39 Gurner St, Paddington NSW, Australia Also published on artshub.com.au 29th October, 2014 In this latest body of work by Dagmar Cyrulla, the artist creates atmospheric mise-en-scènes that frame her exploration into intrinsic relationships that bind people together. Relationships between … Continue reading
“The fact – and this will seem to many unbelievable – that his paintings by no means equaled his superb engravings did a lot to damage his reputation.”[1] Constantijn Huygens, 1630 The term ‘virtuosity’ rarely fails to surface when discussing the graphic oeuvre of Dutch artist Hendrick Goltzius (1558-1617). Praised for his sheer technical brilliance, … Continue reading
Cristofano Robetta (1462 – 1535 after) is not exactly a well known name, even to those interested in the early history of western printmaking. Over-shadowed by luminaries of his era, print historians have invariably discussed the awkward and technically unrefined aspects of his work. They also point out its heavily derivative nature as Robetta freely … Continue reading
Visual Pursuits 