GLOW Australia printmaking December 3rd 2015 – 16th January 2016 The Framing Salon 10 Dartmouth Rd, Forest Hill, London, SE23 3XU In this exhibition at The Framing Salon, London, 47 Australian artists working from two printmaking studios at opposite ends of Australia have a produced a diverse collection prints in various techniques. These works make their UK … Continue reading
An essay that explores the printmaking practice of Melbourne based artist Robert Hague, coinciding with his exhibition ‘Erasure’ at The Art Vault, Mildura, Australia. 15th July – 2nd August, 2015 In Robert Hague’s lithographic prints, individual objects are isolated for close study as the artist draws out the meaning behind their form and function. Rendering his images with … Continue reading
COLIN PALETHORPE Juxtaposed 5th – 22nd August. Firestation Print Studio, Melbourne AUSTRALIA In Juxtaposed, Melbourne based artist Colin Palethorpe considers the Australian landscape as a hybrid space, using the stark nature of collage to evoke an almost alien collision of European ‘settler’ culture on Australian soil. Idyllic pastoral scenes are sensitively rendered on paper, only to … Continue reading
John Sheehan The Unknown Way February 28 – March 21, 2015 John Sheehan is a mid-career Australian artist whose watercolours and mixed media works on paper express his own particular vision of landscape and memory. This exhibition features works inspired by the artist’s travels within Australia, New Zealand and Thailand. Using rich colour and loose, … Continue reading
Imprints of Place Limited edition prints from Australia and Ireland Current until 11th January, 2015 The Framing Salon 10 Dartmouth Rd, Forest Hill, London SE23 3XU @theframingsalon This diverse exhibition features over 100 limited edition prints, skillfully hand-crafted by artists working from three separate print studios in Australia and Ireland. Artists from Firestation Print Studio, Melbourne; PressNorth … Continue reading
Published in Art Monthly Australia, September 2014, Number 273. pp. 24-29 For over 20 years the Melbourne-based artist John Aslanidis has defined a space between sound and vision, through seeking to create ‘paintings you can hear and sound you can see’.[1] His paintings take the form of numerous interlocking and exponentially expanding concentric circles that … Continue reading
Catalogue essay for Dagmar Cyrulla’s exhibition Reflection, 25 October – 19 November, 2014 Wagner Art Gallery, 39 Gurner St, Paddington NSW, Australia Also published on artshub.com.au 29th October, 2014 In this latest body of work by Dagmar Cyrulla, the artist creates atmospheric mise-en-scènes that frame her exploration into intrinsic relationships that bind people together. Relationships between … Continue reading
“The artist produces scenes that are like sheets of stone, whether these be jagged cliff faces or crumbling stone structures. Ostensibly revealing broad vistas, Segers’ landscapes instead form a stony wall of impenetrable material, confounding view with picture plane. The viewer is not meant to enter these spaces.”[1] And yet enter we do, into Segers’ … Continue reading
Jon Eiseman Other Realities at Flinders Lane Gallery, 137 Flinders Lane Melbourne, Australia. 15th July – 2nd August 2014 This exhibition of recent sculptural work by Jon Eiseman and related photographic collaborations with Anne Conron, frequently employs the image of a solitary man, suitcase in hand, set upon a journey through strangely dreamlike surrounds. Here the representation of a … Continue reading
Catalogue essay from a solo exhibition by LUKE SCIBERRAS, titled Under a high desert wind, which was exhibited at James Makin Gallery, Melbourne 4-27 March, 2010 In September of 2008 Luke Sciberras travelled to the Flinders Ranges in South Australia, on an art making expedition that was to irrevocably alter the way he engages with … Continue reading
Visual Pursuits 