This article will feature in the Winter 2015 edition of IMPRINT, the quarterly journal for the Print Council of Australia. Over the past 20 years Rona Green has developed a lexicon of hybrid creatures that are instantly recognizable as the product of her outlandish imagination. In various forms of printmaking, and more recently through painting, … Continue reading
Author Archives: visualpursuits
The Unknown Way – works on paper by JOHN SHEEHAN
John Sheehan The Unknown Way February 28 – March 21, 2015 John Sheehan is a mid-career Australian artist whose watercolours and mixed media works on paper express his own particular vision of landscape and memory. This exhibition features works inspired by the artist’s travels within Australia, New Zealand and Thailand. Using rich colour and loose, … Continue reading
IMPRINTS OF PLACE – Limited edition prints from Australia and Ireland
Imprints of Place Limited edition prints from Australia and Ireland Current until 11th January, 2015 The Framing Salon 10 Dartmouth Rd, Forest Hill, London SE23 3XU @theframingsalon This diverse exhibition features over 100 limited edition prints, skillfully hand-crafted by artists working from three separate print studios in Australia and Ireland. Artists from Firestation Print Studio, Melbourne; PressNorth … Continue reading
The Other Mother – REBECCA HASTINGS
Catalogue essay for Rebecca Hastings’ solo exhibition The Other Mother, 25th November – 19th December, Flinders Lane Gallery, 137 Flinders Lane, Melbourne, VIC Australia. It is difficult for those of us who haven’t experienced motherhood to understand the complexity of the emotions it engenders. Exhaustion and sleep deprivation go hand-in-hand with profound, selfless love and … Continue reading
Sound Spheres – JOHN ASLANIDIS
Published in Art Monthly Australia, September 2014, Number 273. pp. 24-29 For over 20 years the Melbourne-based artist John Aslanidis has defined a space between sound and vision, through seeking to create ‘paintings you can hear and sound you can see’.[1] His paintings take the form of numerous interlocking and exponentially expanding concentric circles that … Continue reading
Reflection – DAGMAR CYRULLA
Catalogue essay for Dagmar Cyrulla’s exhibition Reflection, 25 October – 19 November, 2014 Wagner Art Gallery, 39 Gurner St, Paddington NSW, Australia Also published on artshub.com.au 29th October, 2014 In this latest body of work by Dagmar Cyrulla, the artist creates atmospheric mise-en-scènes that frame her exploration into intrinsic relationships that bind people together. Relationships between … Continue reading
Hendrick Goltzius – splendour and excess
“The fact – and this will seem to many unbelievable – that his paintings by no means equaled his superb engravings did a lot to damage his reputation.”[1] Constantijn Huygens, 1630 The term ‘virtuosity’ rarely fails to surface when discussing the graphic oeuvre of Dutch artist Hendrick Goltzius (1558-1617). Praised for his sheer technical brilliance, … Continue reading
Hercules Segers – on precipitous grounds
“The artist produces scenes that are like sheets of stone, whether these be jagged cliff faces or crumbling stone structures. Ostensibly revealing broad vistas, Segers’ landscapes instead form a stony wall of impenetrable material, confounding view with picture plane. The viewer is not meant to enter these spaces.”[1] And yet enter we do, into Segers’ … Continue reading
Other Realities – JON EISEMAN
Jon Eiseman Other Realities at Flinders Lane Gallery, 137 Flinders Lane Melbourne, Australia. 15th July – 2nd August 2014 This exhibition of recent sculptural work by Jon Eiseman and related photographic collaborations with Anne Conron, frequently employs the image of a solitary man, suitcase in hand, set upon a journey through strangely dreamlike surrounds. Here the representation of a … Continue reading
Cristofano Robetta – poetic imperfection
Cristofano Robetta (1462 – 1535 after) is not exactly a well known name, even to those interested in the early history of western printmaking. Over-shadowed by luminaries of his era, print historians have invariably discussed the awkward and technically unrefined aspects of his work. They also point out its heavily derivative nature as Robetta freely … Continue reading