GLOW Australia printmaking December 3rd 2015 – 16th January 2016 The Framing Salon 10 Dartmouth Rd, Forest Hill, London, SE23 3XU In this exhibition at The Framing Salon, London, 47 Australian artists working from two printmaking studios at opposite ends of Australia have a produced a diverse collection prints in various techniques. These works make their UK … Continue reading
Tag Archives: Australian art
Protection – BRONWYN REES
Bronwyn Rees’ new exhibition at Firestation Print Studio, Opening Thursday 19th November – 28th November. Essay as appears in ArtView, November 2015. Over the past 15 years of creative practice, Bronwyn Rees has focused on making richly textured prints that express her particular vision of Australia’s landscape and wilderness areas. Evoking the inherent beauty of … Continue reading
drifting back – SOPHIA SZILAGYI
Catalogue essay for Sophia Szilagyi’s exhibition drifting back, 9th October – 1st November 2015, Port Jackson Press Australia “The horizon is not a straight line, but a segment of a great arc.” – Hiroshi Sugimoto This fragmented arc has long been present in the digital prints of Sophia Szilagyi. Contained by the edges of the picture plane, occasionally … Continue reading
Elektromont – DION HORSTMANS
Catalogue essay for Dion Horstmans’ solo exhibition Elektromont, 24th February – 14th March 2015, Flinders Lane Gallery, 137 Flinders Lane, Melbourne, VIC Australia. The sculptures of Dion Horstmans slice through the space that surrounds them with angular force and superb brevity of form. In his latest exhibition Elektromont, Horstmans draws upon some of the ideas and influences that … Continue reading
Juxtaposed – COLIN PALETHORPE
COLIN PALETHORPE Juxtaposed 5th – 22nd August. Firestation Print Studio, Melbourne AUSTRALIA In Juxtaposed, Melbourne based artist Colin Palethorpe considers the Australian landscape as a hybrid space, using the stark nature of collage to evoke an almost alien collision of European ‘settler’ culture on Australian soil. Idyllic pastoral scenes are sensitively rendered on paper, only to … Continue reading
A Hybrid Practice – Rona Green’s ventures in printmaking
This article will feature in the Winter 2015 edition of IMPRINT, the quarterly journal for the Print Council of Australia. Over the past 20 years Rona Green has developed a lexicon of hybrid creatures that are instantly recognizable as the product of her outlandish imagination. In various forms of printmaking, and more recently through painting, … Continue reading
The Unknown Way – works on paper by JOHN SHEEHAN
John Sheehan The Unknown Way February 28 – March 21, 2015 John Sheehan is a mid-career Australian artist whose watercolours and mixed media works on paper express his own particular vision of landscape and memory. This exhibition features works inspired by the artist’s travels within Australia, New Zealand and Thailand. Using rich colour and loose, … Continue reading
The Other Mother – REBECCA HASTINGS
Catalogue essay for Rebecca Hastings’ solo exhibition The Other Mother, 25th November – 19th December, Flinders Lane Gallery, 137 Flinders Lane, Melbourne, VIC Australia. It is difficult for those of us who haven’t experienced motherhood to understand the complexity of the emotions it engenders. Exhaustion and sleep deprivation go hand-in-hand with profound, selfless love and … Continue reading
Reflection – DAGMAR CYRULLA
Catalogue essay for Dagmar Cyrulla’s exhibition Reflection, 25 October – 19 November, 2014 Wagner Art Gallery, 39 Gurner St, Paddington NSW, Australia Also published on artshub.com.au 29th October, 2014 In this latest body of work by Dagmar Cyrulla, the artist creates atmospheric mise-en-scènes that frame her exploration into intrinsic relationships that bind people together. Relationships between … Continue reading
Traverse – MELINDA SCHAWEL
Catalogue essay from Melbourne based artist Melinda Schawel’s new exhibition, Traverse April 4th – May 18th, 2014, Artspace Mackay, QLD Australia Melinda Schawel has always been drawn to the physicality of creative process, and allowed the non-rational act of making to guide the development of her atmospheric imagery. Previously this affinity for process has led her to … Continue reading