GLOW Australia printmaking December 3rd 2015 – 16th January 2016 The Framing Salon 10 Dartmouth Rd, Forest Hill, London, SE23 3XU In this exhibition at The Framing Salon, London, 47 Australian artists working from two printmaking studios at opposite ends of Australia have a produced a diverse collection prints in various techniques. These works make their UK … Continue reading
Catalogue essay for Sophia Szilagyi’s exhibition drifting back, 9th October – 1st November 2015, Port Jackson Press Australia “The horizon is not a straight line, but a segment of a great arc.” – Hiroshi Sugimoto This fragmented arc has long been present in the digital prints of Sophia Szilagyi. Contained by the edges of the picture plane, occasionally … Continue reading
Over the past year I have been working with Stag & Bow and The Framing Salon, two unique businesses in South East London that are all about reviving craft based skills from a grass roots level. Pascale Spall and Cyrus Colquitt founded Stag & Bow nearly five years ago at 8 Dartmouth Rd in Forest … Continue reading
Catalogue essay for Dion Horstmans’ solo exhibition Elektromont, 24th February – 14th March 2015, Flinders Lane Gallery, 137 Flinders Lane, Melbourne, VIC Australia. The sculptures of Dion Horstmans slice through the space that surrounds them with angular force and superb brevity of form. In his latest exhibition Elektromont, Horstmans draws upon some of the ideas and influences that … Continue reading
An essay that explores the printmaking practice of Melbourne based artist Robert Hague, coinciding with his exhibition ‘Erasure’ at The Art Vault, Mildura, Australia. 15th July – 2nd August, 2015 In Robert Hague’s lithographic prints, individual objects are isolated for close study as the artist draws out the meaning behind their form and function. Rendering his images with … Continue reading
COLIN PALETHORPE Juxtaposed 5th – 22nd August. Firestation Print Studio, Melbourne AUSTRALIA In Juxtaposed, Melbourne based artist Colin Palethorpe considers the Australian landscape as a hybrid space, using the stark nature of collage to evoke an almost alien collision of European ‘settler’ culture on Australian soil. Idyllic pastoral scenes are sensitively rendered on paper, only to … Continue reading
This article will feature in the Winter 2015 edition of IMPRINT, the quarterly journal for the Print Council of Australia. Over the past 20 years Rona Green has developed a lexicon of hybrid creatures that are instantly recognizable as the product of her outlandish imagination. In various forms of printmaking, and more recently through painting, … Continue reading
John Sheehan The Unknown Way February 28 – March 21, 2015 John Sheehan is a mid-career Australian artist whose watercolours and mixed media works on paper express his own particular vision of landscape and memory. This exhibition features works inspired by the artist’s travels within Australia, New Zealand and Thailand. Using rich colour and loose, … Continue reading
Imprints of Place Limited edition prints from Australia and Ireland Current until 11th January, 2015 The Framing Salon 10 Dartmouth Rd, Forest Hill, London SE23 3XU @theframingsalon This diverse exhibition features over 100 limited edition prints, skillfully hand-crafted by artists working from three separate print studios in Australia and Ireland. Artists from Firestation Print Studio, Melbourne; PressNorth … Continue reading
Catalogue essay for Rebecca Hastings’ solo exhibition The Other Mother, 25th November – 19th December, Flinders Lane Gallery, 137 Flinders Lane, Melbourne, VIC Australia. It is difficult for those of us who haven’t experienced motherhood to understand the complexity of the emotions it engenders. Exhaustion and sleep deprivation go hand-in-hand with profound, selfless love and … Continue reading
Visual Pursuits 